Harry potter deathly hallows part 1 review

#Harry potter deathly hallows part 1 review movie
#Harry potter deathly hallows part 1 review skin
#Harry potter deathly hallows part 1 review series

The Malfoy Manor climax is oddly sentimental. It's barely a minute, but it's harrowing every time. The music takes a backseat to the chaos of sprinting and destructive spellwork.

#Harry potter deathly hallows part 1 review series

The camera is always moving, either steady or handheld, which the series does rarely if ever (another memorable sequence being the Burrow burning in Half-Blood Prince). The chase through the woods doesn't even feel like a Harry Potter movie.

#Harry potter deathly hallows part 1 review movie

Xenophilius's scene (chewed to within an inch of its life by Rhys Ifans) feels straight out of a spy movie until the tension cracks with the Snatchers' arrival. Over the course of its two-and-a-half hours we're in multiple battles, horrifying creature violence, sweet moments between friends, and a captivating story from a children's book. Time and time again, Deathly Hallows - Part 1 skillfully shuttles us between vastly different moods. This scene and animator Ben Hibon did not have to go that hard, but they did, and the result is breathtaking:

#Harry potter deathly hallows part 1 review skin

It's seemingly there so we can return to him in Deathly Hallows, but he still doesn't get his due.ДЄfter infiltrating the Ministry - something the trio spent months planning in the book, and which is inexplicably played off as a spontaneous shenanigan in the movie - we get to the Camping, roughly a half hour that includes Ron's gruesome splinching injury, his heartbreaking departure, Harry and Hermione's dance (a lovely moment between friends, we'll take no questions), the trip to Godric's Hollow where a snake is walking around in the skin of a dead woman, the mysterious silver doe, Ron saving Harry from being drowned in a frozen lake by a horcrux, and the eventual destruction of that horcrux.Д¬all it camping again, I f*cking dare you.ДЄnd THEN, with the trio reunited, we visit Xenophilius Lovegood and learn about the Deathly Hallows in one of the most mesmerizing scenes in any of these movies: The Tale of the Three Brothers. Even his Order of the Phoenix cameo is not meant to set him up as a spy for Death Eaters, as he is in the book. The films skimped on house-elf plot lines at almost every opportunity, to the point that Kreacher's inclusion overall is unnecessary because his role is given no weight. Told through Kreacher's eyes, this is one of the most haunting sections of the book and a disgusting example of how house elves are abused by wizards. One of my few critiques of this movie is the omission of Kreacher's tale: How Voldemort used the Black family's house elf to ensure the safety of his horcrux and how Sirius's brother perished in the quest to retrieve and destroy it. It's eerily understandable a decade later, with the world in its current state, how Harry attends a wedding and kisses his crush but also confronts corrupt leadership and plans his mission. All of this is owed, as ever, to Chris Columbus's monumental work on the first two films, establishing an entire world of characters, creatures and effects that immerses us wholly to this day.ДЄfter a woman is eaten by a snake at one of Voldemort's work meetings, the film's first act jumps between moments of brief joy, respite, and humor, amidst a growing cloud of gloom and doom. Prisoner of Azkaban set a new bar for what the films could be visually. It draws on the gloom of Half-Blood Prince and the adrenaline of Order of the Phoenix and Goblet of Fire. Of course, Deathly Hallows - Part 1 finds itself in the position of being able to take such creative leaps because of the six films before it. The magical whimsy of ' Hedwig's Theme' is nowhere to be found. The film plunges us in headfirst, declaring that this is a story of children bearing unimaginable burdens, and that Harry is not the only one to lose his loved ones to this war.

In the Deathly Hallows novel, we begin - as we often do - with Harry, but hear about Hermione's monumental sacrifice later on. It's a powerful starting note, taking just enough liberty from the text. Against Alexandre Desplat's ' Obliviate,' one of the most stirring pieces of music in the series, we watch Hermione wipe her parents' memories and disappear from their lives in order to protect them. The film opens with a montage of Harry, Ron, and Hermione preparing essentially to go to war. A less knowledgeable scholar of the Potter film franchise might recall Deathly Hallows - Part 1 as 'the one with the camping,' which is extremely unfair because camping comprises roughly 23 percent of the movie's 146-minute runtime - but we'll get back to that. 19 marked the 10-year anniversary of this movie, which makes it a great time to revisit what makes Deathly Hallows - Part 1 so fantastic.